Renowned Bangladeshi cinematographer Rashed Zaman delivered a compelling talk on the intricate relationship between architecture and film at North South University (NSU) on Thursday, September 25, 2025. The event was organized by the Department of Architecture under the Kathon Lecture Series, a press release said.
Rashed Zaman, a celebrated name in both national and international film circles, holds an academic background in Architecture from Middle East Technical University, Turkey, and in Cinematography from the University of California, Los Angeles (UCLA), USA. Beginning his career in Hollywood as a camera assistant and lighting crew member, Zaman went on to make his mark in the Bangladeshi film industry with his National Film Award-winning work in Aynabaji (2016).
In his lecture, Zaman raised the thought-provoking question: “What is the relationship between architecture and film?” He explained that architecture plays a crucial role in shaping diversity and spatial perception in cinema. Through the interplay of space and light, and the transition from static to movement, films portray the flow of human perception. He described filmmaking as a process of “image construction”, drawing strong parallels to the architectural process of transforming imagination and planning into physical spaces.
Zaman emphasized that his architectural training taught him two essential lessons:
To imagine where nothing exists – an indispensable skill for both architects and cinematographers.
Discipline over intelligence – underscoring that consistent discipline is what sustains a career in any creative field.
He further reflected on the visual literacy of audiences, noting that we now “read” images more than text, making visual storytelling more significant than ever.
At the same time, he highlighted key differences between the two disciplines:
“In cinematography, visual intention evolves more rapidly than in architecture. Cinematographers face greater compromises due to climate, budget, and adaptability.”
Zaman also referenced the Polish cinematographer Witold Sobociński, whose advice deeply influenced him: “Make pictures, don’t make photographs.” He elaborated that while a photograph conveys information, a picture integrates story, visuals, and sound. He broke down visual structure into three key components: look, feel, and texture—all shaped by narrative and genre.
Exploring the philosophical dimensions of visual storytelling, Zaman asserted: “Space is the most important and motivational element, and time is the change of light.” He emphasized how life stories unfold through the journey of space and light, tying back to his architectural roots. His contribution to Utshob was particularly noted for its creative use of color, which he discussed in depth during the session.
Zaman’s extraordinary lecture marked a milestone in the Kathon Lecture Series, a knowledge-sharing hub of the Department of Architecture at NSU.
The event concluded with the presentation of an NSU Crest to Rashed Zaman by Department Chair, Shahriar Iqbal Raj. With Gratitude Rashed Zaman gifted a beautiful street photograph of his work on Old Dhaka to the Department of Architecture.
